Monday, November 2, 2009

Canadian Treasure

The great Sun Ra said that he respected "all sincere musicians, whatever kind of music they play." Recently I had a chance to play with someone who embodies that ideal: the great Canadian jazz trombonist/pianist/composer Hugh Fraser.

Hugh and his amazing quintet happened to be appearing at Hermann's Jazz Club in Victoria, B.C. last Saturday night. Hermann's is as fine a venue for jazz as you'll find almost anywhere; no need to bring an electronic keyboard because the club provides a fine grand piano. It was the perfect spot to see Hugh and his combo, playing for people who really appreciated the music.

I had met Hugh briefly at a recent benefit for the Victoria Jazz Society, at which we both performed as part of a blues revue. As soon as our party was seated, someone slipped Hugh a note telling him that I was in the audience, and before I knew it I was sitting down at the piano. I led the band in a Sun Ra number, because after all it was a jazz scene. But before I could leave the stage, Hugh was telling me, "No, no, no, stay where you are, you've got to sing the blues."

And play the blues we did. I've never been made to feel more welcome on somebody else's stage. I did one of my numbers ("Meet Me With Your Black Dress On"), and Hugh's band played it as well as it's ever been played. I've shared the stage with some pretty good bands, but none better than these guys (the combo included Campbell Ryga on alto and soprano saxes, Ross Taggart on piano and tenor, Ken Lister on bass, and Dave Robbins on drums -- all of them certifiable A-listers).

Afterwards, I went back into the audience and Hugh took over at the piano and played "Mode to McCoy," his fabulous tribute to McCoy Tyner. I was glad I played earlier, because (believe me) no one could have followed that!

If you've never heard this man's music, by all means check him out! He's got the kind of energy, talent, and heart that made me want to ever do this thing in the first place.

Friday, October 16, 2009

Summit Meeting in Victoria

I'm looking forward to performing with some great Canadian musicians this Saturday night at the second annual Blues Summit in Victoria, BC. It's a fundraiser for the Victoria Jazz Society, a group I'm very happy to be supporting.

Among those performing will be Tom Lavin from Powder Blues, Lisa Mann up from Portland, and Victoria's own Bill Johnson, with his band. Bill is a legend in these parts, and it's great to get to play with him.

Tuesday, August 25, 2009

Arkabilly Music: Sun Ra Meets Moon Mullican?

It's back to Portland this Friday for a return engagement at Duff's Garage, a wonderful club I always enjoy visiting. We had a full house last time at Duff's, and we're hoping for another good turnout.

This time around I'll have Jimi Bott on drums, Don Campbell on bass, Paul Brainard on guitar, and the Mythocratic Transformation Horns (Joe McCarthy on trumpet, Brad Ulrich on baritone sax and clarinet, and Dan Fincher on tenor).

To hear a little sample of what we sounded like last time, go here. Yeah, I know: the piano's way back in the mix, but you can sure feel the groove.

As far as what's new in our show, folks can expect to hear a lot more more of the Sun Ra material people seem to like so much. And we're bringing back some of our oldies, including 1948 (Vanport Flood), because people keep requesting them. Plus I've been spending a lot of time listening to Memphis Slim at the Gate of Horn, one of the greatest blues albums ever made.

Ok, Portland -- hope to see you there!

Saturday, August 8, 2009

Art, Protest and the Press

In an essay arguing that "artists have a duty to dissent," a self-described "marketing strategist" makes the following point:
" ... the art community, as a counterpart of the press, has been given special rights written into the Bill of Rights, known broadly as freedom of the press ..."

Really? So Picasso was a kind of Heidi Collins? Rene Magritte was the Wolf Blitzer of Belgium?

It's not that I don't think artists have a right, or even a duty, to protest ... but surely their freedom to dissent doesn't derive from defining art as some sort of appendage to journalism.

Does it?